Exile on Main St" Reissue (10 neue tracks) Box Set

    Zitat von cinema


    ???
    10 Bonus:


    VVVV


    Zitat von Iris


    am 14. Mai 2010 nochmals veröffentlicht und wird 10
    zusätzliche, bisher ungehörte Tracks beinhalten.


    Deswegen bin ich mir ja nicht sicher. Der eine redet von 4 der andere von 10. ?(


    Komplett werden Sie wohl vorab nicht die Katze aus dem Sack lassen. Mal sehen, vielleicht leakt das Teil kja schon vorher, wobei dadurch die Vorfreude zerstört wird, wie beim Bigger Bang Album.


    Vorallem dürft ihr nicht von uns ausgehen, Songs die wir schon ewig von Outtake Bootlegs kennen, sind für den normalen Käufer absolut unbekannte Sachen.

    MICK69.JPGmetallica.ico

    Sweet Cousin Cocaine, lay your cool cool hand on my head...


    Die legendären Rocker pimpen den Re-Release ihres legendären 72er-Albums mit noch unveröffentlichten Tracks.


    London (ebi) - Im Zuge der Recherchen für ihre Re-Release-Reihe stießen die Rolling Stones auf vergessene, bis dato unveröffentlichte Nummern aus der "Exile On Main Street"-Zeit um 1972 - ihre wohl kreativste, aber auch drogengreichste Phase. "Ich habe mich im Archiv vergraben und so einiges ans Tageslicht gefördert", so Frontmann Mick Jagger, der sich über den Fund überrascht zeigte.


    Nur für der Deluxe Version - mit neuen Vocals


    Einem Track namens "Following The River" habe er dann neue Lyrics mitgegeben sowie einer anderen Nummer etwas Percussion. Keith Richards habe zudem ein, zwei neue Gitarren eingespielt. Grundsätzlich habe man die Tracks aber im ursprünglichen Zustand belassen wollen, ergänzte Richards gegenüber dem US-Rolling Stone. Die zehn Songs liegen der Deluxe-Ausgabe des Reissues bei, das ab Mitte Mai in mehreren Versionen erhältlich sein wird. Weitere neue alte Songs heißen "Plundered My Soul", "Dancing In The Light" oder "Pass The Wine". "Soul Survivor" und "Loving Cup" kommen in alternativen Versionen hinzu.[quelle]http://www.laut.de/Rolling-Sto…chollene-Songs/02-03-2010[/quelle]

    Les Trois Tetons in Oberhausen - ich war dabei

    Zitat von LittleQueenie

    Vorallem dürft ihr nicht von uns ausgehen, Songs die wir schon ewig von Outtake Bootlegs kennen, sind für den normalen Käufer absolut unbekannte Sachen


    ... jo das wird dann wohl auch so kommen, das die fehlenden 4 Titel sich aus solchen Songs ergeben könnten die wir schon kennen, aber für "Normal-Hörer" unbekannt sind :thumbup: . Ich würd mich über Highway Child, I Ain't Lying und I Don't Know The Reason Why in einer schönen Fassung freuen :tumbup , dazu die 4 richtig neuen Songs und die zwei alternativen Versionen von Loving Cup und Soul Survivor.... fehlt nur noch ein Song dann wären es 10... vielleicht noch der Exile On Main Street Blues :mrsm - so ich hab dann somit mal meinen Tip abgegeben, mal sehen wie's dann wirklich kommt :think


    STONES FOREVER Nankering

    STONES FOREVER nankering_hsv_avatar.pngNankering


    B 13/08/90 - B 17/08/95 - HH 30/08/98 - HH 24/07/03 - HH 15/08/07 - Hyde Park 06/07/13 - Pinkpop 07/06/14 - B 10/06/14 - HH 09/09/17 - Amsterdam 30/09/17 - Stockholm 12/10/17 - Edinburgh 09/06/18 - B 22/06/18 - M 05/06/22 - Mailand 21/06/22 - B 03/08/22

    Noch ein paar Vorabnews (von IORR):


    Some more Exile info
    Posted by: wanderingspirit66 ()


    [http://www.variety.com]


    Stones return from 'Exile'
    Questions about The Rolling Stones' hidden gems


    When the Universal Music Group announced last week that it was re-releasing the Rolling Stones' iconic 1972 double album "Exile on Main Street" with 10 never-before-heard bonus tracks from the period, many fans found themselves wondering: "Where did these songs come from and why haven't we heard them before?"
    By all outward signs, the Stones' music has been one of the most assiduously strip-mined catalogs of recent times, by both the various labels they've been associated with as well as enterprising bootleggers who tout thousands of hours of recorded and live work of the band dating back to their formation in 1962. One bootleg site boasts eight CDs of material from the "Their Satanic Majesties Request" sessions alone.


    Don Was, the credited producer on the newly unearthed "Exile" tracks along with the late Jimmy Miller and the Glimmer Twins (the Stones' Keith Richards and Mick Jagger), told Variety that he sifted through 200 hours of tape for the new bonus material, which will be heard when the package is released May 17 in the U.K. and May 18 stateside.


    "I've been to the tape warehouse," said Was. "If you can picture the last scene of 'Raiders of the Lost Ark' with this enormous room filled from floor to ceiling with (all these antiquities), that's what they have.


    "There's stuff that nobody's heard," he added. "The things that have slipped out on bootleg is just a fraction of what's available. They could do this with every album they've ever made if they wanted to."


    According to the producer, nobody was more surprised than the Stones "that they had this extra stuff that was as close to the finish line as it turned out to be."


    The original 18-track double-album -- made during a peak creative period for the band and the culmination of a string of masterpieces that began with "Beggars Banquet" and continued with "Let It Bleed" and "Sticky Fingers" -- was recorded in various stages at multiple locations, including Olympic Studios in London, Keith Richard's Nellcote mansion in the south of France and Sunset Sound Recorders in Los Angeles, where the bulk of the mixing and overdubs were done.


    The "Exile" of the title pertains to the Stones having moved out of England due to the country's onerous tax laws, and the lingering fallout from drug busts in their home country.


    The album is considered a rock 'n' roll landmark, with blues, country, R&B and gospel thrown into the mix. Blues and slide guitar specialist Mick Taylor, who replaced Brian Jones in the band after he died in 1969, is considered a key part of the album's timeless appeal.


    "There's a unity to 'Exile' that makes a whole lot of sense -- this vision of American roots music reinterpreted by the Stones' eyes and ears," explained Was. "And it holds because it's stayed current all these years."


    Jagger was reportedly critical of the album at the time of its release, and was quoted in 2003 as saying the LP "has some of the worst mixes I've ever heard."


    Was said that he and the Stones (Jagger, Richards, and to a lesser extent, drummer Charlie Watts) decided to maintain the integrity of the original recording. "The sound of 'Exile' is not only etched in stone but it's become a part of the sonic vocabulary of record makers who followed," the producer explained. "You have to embrace what it is.


    "The guiding light came in a fax Keith (Richards) sent to me early on. He said: 'You don't have to make it sound like 'Exile.' It already is 'Exile.' That's really what we tried to stick to throughout."


    Was described the bonus tracks, which include alternate versions of "Soul Surviver" and "Loving Cup," as either "extremely finished songs" or "finished but with a rawness." One track, "Following the River," consisted of just an instrumental on which Jagger subsequently wrote lyrics and supplied the vocals. But for the most part, Jagger and Richards' overdubs are "pretty minimal" and limited to a couple of songs.


    Accompanying the release is a 61-minute documentary about, as director Stephen Kijak describes it, "why the Stones went into exile in France and about how they made this extraordinary album."


    Kijak culled his footage mainly from about 20 hours of outtakes from Robert Frank's infamous documentary of the Stones 1972 tour, "@#$%& Blues," as well as images from the lavish, limited release photo book by Dominique Tarlet called "Exile," which chronicled the recording sessions at Nellcote.


    "We let Robert Frank's aesthetic, and the album art itself (shot by Frank), lead it," explained Kijak. "So what you've got is a vibey mood piece that dips you right into the early 70s and doesn't let you out."


    The 18 tracks from "Exile" provide the doc's soundtrack, along with studio chatter from the "Exile" sessions as well as the more recent reissuing and remastering sessions.


    Kijak also says the film doesn't shy away from Richards reported struggles with heroin at the time of the recordings. "You can't separate the drugs from the story," he explained.

    Zitat von Iris


    Jagger was reportedly critical of the album at the time of its release, and was quoted in 2003 as saying the LP "has some of the worst mixes I've ever heard."


    Das ist wieder ein Scheiss-Kommerz Versuch uns zu sagen, alles was wir haben ist Bockmist und wir sollen neu kaufen.
    Ich bleibe dabei - Vinyl US1 hat einen phänomenalen Sound. Klingt auf High-end einfach umwerfend.

    Ohne deiner Klangbeurteilung widersprechen zu wollen, ist das jetzt aber sehr verkürzt gelesen, der Text geht ja noch weiter:


    Was said that he and the Stones (Jagger, Richards, and to a lesser
    extent, drummer Charlie Watts) decided to maintain the integrity of the
    original recording. "The sound of 'Exile' is not only etched in stone
    but it's become a part of the sonic vocabulary of record makers who
    followed," the producer explained. "You have to embrace what it is.



    "The guiding light came in a fax Keith (Richards) sent to me early on.
    He said: 'You don't have to make it sound like 'Exile.' It already is
    'Exile.' That's really what we tried to stick to throughout."
    -